April 20, 2022
ftrack Review reimagined!
We’ve redesigned and reimagined ftrack Review to make your review sessions more intuitive. Dive into…
April 19, 2022
cineSync 5 – The next generation of media review is here
Introducing cineSync 5, the next step in media review. cineSync 5 is reimagined to meet…
April 11, 2022
Meet ftrack @ FMX 2022
Meet ftrack at FMX 2022 from 3-6 May. Join us to discuss our latest releases…
March 29, 2022
Organize your reviews in ftrack Studio
We’ve introduced drag-and-drop folders to media review in ftrack Studio, enabling you to organize your…
March 7, 2022
Meet ftrack @ NAB 2022
Join us to discover our latest releases and what the team's working on next, including…
March 7, 2022
ftrack Review March 2022 update
ftrack Review’s March 2022 update introduces an upgraded UI that allows for more intuitive control…
February 8, 2022
VFX Oscar 2022 nominations
The VFX Oscar 2022 nominations are here, featuring five projects all created with a little…
January 31, 2022
What is a VFX Supervisor and how can I become one?
Andreas Weidman, VFX Supervisor at SWISS, explains what a VFX Supervisor does and how you…
January 31, 2022
How to use the ftrack API
Learn how to set up and get going with the ftrack Python API—the best way…
December 22, 2021
VFX Producer Darren Bell on Snowpiercer’s remote visual effects
Darren Bell, VFX Producer on TNT's Snowpiercer, reveals how he managed remote teams from his…
December 17, 2021
ftrack’s 2021 in numbers
A celebratory look at some of the milestones that have defined ftrack's 2021.
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